Not in Delft Blue, as was common at the time at Porceleyne Fles, but in sepia and polychrome, the Rozenburg factory also produced monumental tile pictures. Here, too, Daniël Harkink was at the forefront, but the name of Albertina Wijnhoff, the first female master painter of ceramics in the Netherlands, should also be mentioned. Harkink himself was very much influenced by the painting of the late Rembrandt, as well as by the then very popular painter Johannes Bosboom, as is evident from his Rembrandtesque painting of the interior of the church of the Grote Kerk in The Hague after Bosboom and from the clairobscur in his tile painting of the gates of the Binnenhof in The Hague. Read more about Rozenburg's monumental tile pictures "
